Synth shopping part II: the contenders
Here are the contenders for my main synth. I thought I'd be able to get some opinions from the IDM Forums and whittle it down to 3, but where's the fun in that?
- Arturia Jupiter 8V ($257): I'm stuck in the early 90s, so a Jupiter has to be in the mix. (though I'd rather make more money licensing tracks and then blow it on the whole Arturia V Collection)
- FabFilter Twin2 ($169): Sounds nice and the GUI rocks, but I just got the One and prolly want something else.
FAW Circle ($199)the overall sound just doesn't do anything for me, in spite of the beautiful GUI- G-Force Imposcar ($130): I've always loved it and it has one of the baddest filters in VST land ever. v2 is coming up and FINALLY that filter can process external audio.
Korg Legacy Analog ($199)Really great sound & value but it requires a fucking dongle just to try it.- LennarDigital Sylenth ($180): New to me, but it sounds really, really good. Extra points to the developer for having a lisp (though I guess that would make it Thylenth?)
- NI Massive ($229): An obvious choice, and I'm curious to see what the CPU usage is.
- Rob Papen Predator ($179): Chris' suggestion...
- u-He Zebra ($199): a dark horse contender, but there are a LOT of great demos out there. It's got a brilliant interface, and worthwhile endorsement from Hans Zimmer. Plus Urs is a cool guy. Oh - and it's modular. I wonder how deep that rabbithole goes...
- Vember Surge ($150): Also new to me, and also pretty damn nice
Plus, some nice synths that are too cost-effective to pass up:
- FabFilter One ($6.50 special): just bought it today
- Koblo Centaurus ($7.49): Sounds old and I already bought it

- Leslie Sanford Cobalt ($25): Nice demo mp3s, looking forward to playing with the actual demo. Plus it's made with Synthmaker.
There it is - this is going to take some time. The two leaders are Imposcar and Zebra, and another synth will have to blow me away to beat those 2. I am kinda psyched to buy 2 nice synths for under $15 - I've never been thrilled about writing a track and having all synth parts come from one synth. I like melding different sources.
And one thing that will have a strong sway in the decision will be how creative I can be with a synth - I want to get back to exploring sounds & textures (which I notice are the strong points of anything that's been licensed from Pump Audio). I think a synth like Zebra may have a big advantage there.



